"Madrigal: Penas de amores (Pains of Love)" by Lorenzo Palomo, Ofelia Sala, Jochen Hoffmann, Helge Bartholomäus, Elsie Bedleem had its release date on October 27, 2009. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vocal and Chamber Music (Spanish) - Arbos, E.F. / Palamo, L.M. / Adam-Ferrero, B. / Aracil, A. / Casa, P. / Sanchez-Verdu, J.M. by Martín Baeza Rubio. The song's track number on the album is #3 out of 13 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Madrigal: Penas de amores (Pains of Love) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Madrigal: Penas de amores (Pains of Love) by Lorenzo Palomo, Ofelia Sala, Jochen Hoffmann, Helge Bartholomäus, Elsie Bedleem has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Madrigal: Penas de amores (Pains of Love) being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No. 13 in D | Johannes Brahms, Wiener Philharmoniker, Fritz Reiner | D Major | 1 | 10B | 79 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Dulcinea: VII. Don Quijote y Sancho (Don Quixote and Sancho) (Don Quijote, Sancho Panza) | Lorenzo Palomo, Ainhoa Arteta, Cheri Rose Katz, Burkhard Ulrich, Arutjun Kotchinian, Berlin Deutsche Opera Chorus, Berlin Deutsche Opera Orchestra, Miguel Angel Gomez Martinez | B Minor | 2 | 10A | 87 BPM | ||
Sonate pour flûte et piano, FP 164: III. Presto giocoso | Francis Poulenc, Mathilde Calderini, Aurèle Marthan | A Major | 3 | 11B | 82 BPM | ||
Tom Bowling | Charles Dibdin, Royal Philharmonic Orchestra | C Major | 0 | 8B | 98 BPM | ||
Pocket Poetry No. 1: IV. Miss You | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Rapsodia piemontese for Violin and Orchestra, Op. 26 | Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 97 BPM |