Gaîté parisienne: (Allegro)
Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn
Offenbach: Gaité Parisienne
1:17 January 1, 1982
BPM
152
Key
B Major
Camelot
1B

Embed

Share Link

Gaîté parisienne: (Allegro) - Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn Information

Acousticness
75%
Danceability
65%
Energy
28%
Instrumentalness
0%
Liveness
9%
Loudness
58%
Speechiness
5%
Valence
97%
Popularity
Loudness
-25.129 dB

Summary

On January 1, 1982, the song "Gaîté parisienne: (Allegro)" was released by Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn. With Gaîté parisienne: (Allegro) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Offenbach: Gaité Parisienne". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Gaîté parisienne: (Allegro)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Gaîté parisienne: (Allegro) BPM

With Gaîté parisienne: (Allegro) by Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

Gaîté parisienne: (Allegro) Key

This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Gymnopédie No. 1 in D Major: Lent et douloureux by Erik Satie, Charles GerhardtGymnopédie No. 1 in D Major: Lent et douloureuxErik Satie, Charles GerhardtG Major19B63 BPM
Minuet from String Quintet in E Major, Op. 13 No. 5 by Luigi Boccherini, Mischa Maisky, Orpheus Chamber OrchestraMinuet from String Quintet in E Major, Op. 13 No. 5Luigi Boccherini, Mischa Maisky, Orpheus Chamber OrchestraA Major011B86 BPM
Salut d'amour, Op. 12 (version for orchestra) by Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperSalut d'amour, Op. 12 (version for orchestra)Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperB♭ Major16B82 BPM
Overture to Overture to "A Midsummer Night's Dream", Op. 21: Tempo primoFelix Mendelssohn, John Eliot Gardiner, London Symphony OrchestraE Major012B140 BPM
Ruslan and Ludmila: Overture by Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny SvetlanovRuslan and Ludmila: OvertureMikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny SvetlanovF Major37B81 BPM
Jazz Suite No. 2: VIII. Finale by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyJazz Suite No. 2: VIII. FinaleDmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyF Major47B141 BPM
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) by Anton Arensky, Moscow Symphony Orchestra, Dmitry YablonskyEgipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse)Anton Arensky, Moscow Symphony Orchestra, Dmitry YablonskyC Minor05A82 BPM
Humoresque No. 7 in G-flat Major, Op. 101 by Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak PerlmanHumoresque No. 7 in G-flat Major, Op. 101Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak PerlmanF♯ Major12B83 BPM
Symphony No.9 in E minor, Op.95 Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace)Antonín Dvořák, Cleveland Orchestra, Christoph von DohnányiE Minor19A127 BPM
Les Contes d'Hoffmann (1989 Digital Remaster), Act II: Entr'acte by Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireLes Contes d'Hoffmann (1989 Digital Remaster), Act II: Entr'acteJacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireE Major212B104 BPM
ISRC
NLA508206907
Label
L-M Records/RCA Records

Section: 0.7557253837585449

End: 0.7596993446350098