Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack's 'Moldau-Klange, Walzer, Op. 186' came out on December 6, 2011. Since Moldau-Klange, Walzer, Op. 186 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Strauss I, J.: Edition - Vol. 20". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. The popularity of Moldau-Klange, Walzer, Op. 186 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Moldau-Klange, Walzer, Op. 186 by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 2 | 10B | 120 BPM | ||
The Barber of Seville: "Largo al factotum" - Instrumental | Gioachino Rossini, Andre Kostelanetz & His Orchestra | C Major | 5 | 8B | 115 BPM | ||
Khachaturian: Gayaneh, Suite No. 3: V. Sabre Dance | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | F Minor | 8 | 4A | 94 BPM | ||
Boccerini: Minuet In D | Richard Hartley | A Major | 1 | 11B | 200 BPM | ||
No. 4, Marcia all turca | Ludwig van Beethoven, Dennis Russell Davies, Mechthild Gessendorf, Roger Andrews, Joseph Flummerfelt, Orchestra of St. Luke's, New York Choral Artists | F Major | 2 | 7B | 99 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: I. March No. 1 in D Major (Allegro con molto fuoco - Trio - Molto maestoso) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult, David Bell | D Major | 3 | 10B | 93 BPM | ||
Grieg: Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM |
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