Alan Hovhaness, Shanghai Quartet's '4 Bagatelles, Op. 30: No. 1. —' came out on January 1, 1994. The duration of 4 Bagatelles, Op. 30: No. 1. — is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 4 Bagatelles, Op. 30: No. 1. —'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alan Hovhaness, Shanghai Quartet's "Hovhaness, A.: 4 Bagatelles / String Quartet Nos. 1-4 / Zhou, L.: Song of the Ch'In ( Spirit Murmur)" album is number 1 out of 17. In terms of popularity, 4 Bagatelles, Op. 30: No. 1. — is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 4 Bagatelles, Op. 30: No. 1. — by Alan Hovhaness, Shanghai Quartet to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3, Op. 20, "Pervomayskaya" (The First of May): I. Allegretto | Dmitri Shostakovich, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | E Major | 5 | 12B | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Oboe Concerto in D minor: 2. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
8 Chinese Folk Songs: No. 4. Jasmine Flower | Zhou Long, Shanghai Quartet | F Minor | 1 | 4A | 78 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
8 Chinese Folk Songs: No. 5. A Horseherd's Mountain Song | Zhou Long, Shanghai Quartet | A Minor | 2 | 8A | 90 BPM | ||
Cello Concerto in C Minor, Op. 21: II. Adagio - | Kurt Atterberg, Truls Mørk, Norrlands Operan Symphony Orchestra, Kristjan Järvi | A Minor | 0 | 8A | 96 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
3 Old Viennese Dances: II. Liebesleid | Fritz Kreisler, Yo-Yo Ma | A Major | 0 | 11B | 85 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM |
Section: 0.6190049648284912
End: 0.6247355937957764