Zhou Long, Shanghai Quartet made "8 Chinese Folk Songs: No. 5. A Horseherd's Mountain Song" available on January 1, 1998. With 8 Chinese Folk Songs: No. 5. A Horseherd's Mountain Song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Zhou, L.: 8 Chinese Folk Songs / Poems From Tang / Soul (The Flowing Stream - Chinese Folk Songs and Tone Poems) by Zhou Long, Shanghai Quartet. The song's track number on the album is #5 out of 13 tracks. In terms of popularity, 8 Chinese Folk Songs: No. 5. A Horseherd's Mountain Song is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since 8 Chinese Folk Songs: No. 5. A Horseherd's Mountain Song by Zhou Long, Shanghai Quartet has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 8 Chinese Folk Songs: No. 5. A Horseherd's Mountain Song being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Balaur | Mathias Proenza, João Marcondes, a Trupe deCompositores | C Major | 0 | 8B | 105 BPM | ||
Green | Zhou Long, Yolanda Kondonassis | B♭ Minor | 0 | 3A | 130 BPM | ||
Oriental | Pattapio Silva, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
Impromptu, Op. 86 | Gabriel Fauré, Judy Loman | E♭ Minor | 1 | 2A | 85 BPM | ||
Song of the Ch'in | Zhou Long, Shanghai Quartet | C Major | 1 | 8B | 138 BPM | ||
Vientuļais eņģelis (meditation for violin & string orchestra): I. Adagio [Excerpt] | Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets | B Minor | 1 | 10A | 71 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Blake Pouliot, Hsin-I Huang | F♯ Minor | 1 | 11A | 172 BPM | ||
100 Folk-tunes from Hardanger, Op. 151: Suite No. 1: Langeleik Tune | Geirr Tveitt, Iceland Symphony Orchestra, Bjarte Engeset | E Minor | 1 | 9A | 168 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM |
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