"Prélude et Fugue sur le nom d'Alain, Op. 7: II. Fugue" by Maurice Duruflé, Thomas Trotter was released on June 11, 2021. Prélude et Fugue sur le nom d'Alain, Op. 7: II. Fugue is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 4 out of 13 in Duruflé: Complete Organ Works by Maurice Duruflé, Thomas Trotter. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Prélude et Fugue sur le nom d'Alain, Op. 7: II. Fugue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prélude et Fugue sur le nom d'Alain, Op. 7: II. Fugue by Maurice Duruflé, Thomas Trotter is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Vespers, Op. 37: Come, Let Us Worship | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F Major | 0 | 7B | 111 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
O salutaris hostia | Ēriks Ešenvalds, Thomas Aquinas, Kate Ledington, Maeve Stier, Portland State University Chamber Choir, Ethan Sperry | D Major | 1 | 10B | 80 BPM | ||
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
Duruflé: Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Chorale Philippe-Caillard, Marie-Madeleine Duruflé, Orchestre de l'Association des Concerts Lamoureux | D Minor | 2 | 7A | 88 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
Adoramus Te, Christe | The Wartburg Choir, Dr. Lee Nelson | E Major | 0 | 12B | 131 BPM | ||
Missa si Deus pro nobis, a 16 voci: III. Kyrie eleison II | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 2 | 8A | 82 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM |
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