Funeral Sentences for the death of Queen Mary II (1695): March
Henry Purcell, The London Gabrieli Brass Ensemble, The London Gabrieli Chorus, Mark Brown
The Baroque Brass Collection
1:45 January 1, 1982
BPM
166
Key
C Minor
Camelot
5A

Embed

Share Link

Funeral Sentences for the death of Queen Mary II (1695): March - Henry Purcell, The London Gabrieli Brass Ensemble, The London Gabrieli Chorus, Mark Brown Information

Acousticness
96%
Danceability
36%
Energy
2%
Instrumentalness
96%
Liveness
7%
Loudness
67%
Speechiness
7%
Valence
27%
Popularity
Loudness
-20.082 dB

Summary

Henry Purcell, The London Gabrieli Brass Ensemble, The London Gabrieli Chorus, Mark Brown's 'Funeral Sentences for the death of Queen Mary II (1695): March' came out on January 1, 1982. With Funeral Sentences for the death of Queen Mary II (1695): March being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "The Baroque Brass Collection". In this album, this song's track order is #43. The popularity of Funeral Sentences for the death of Queen Mary II (1695): March is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Funeral Sentences for the death of Queen Mary II (1695): March BPM

With Funeral Sentences for the death of Queen Mary II (1695): March by Henry Purcell, The London Gabrieli Brass Ensemble, The London Gabrieli Chorus, Mark Brown having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.

Funeral Sentences for the death of Queen Mary II (1695): March Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova by François Couperin, Marina BaranovaTroisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina BaranovaFrançois Couperin, Marina BaranovaA♭ Major04B69 BPM
Dido and Aeneas / Act 1: Overture by Henry Purcell, Academy of Ancient Music, Christopher HogwoodDido and Aeneas / Act 1: OvertureHenry Purcell, Academy of Ancient Music, Christopher HogwoodB Minor310A89 BPM
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro by George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona BrownConcerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. AllegroGeorge Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona BrownG Minor46A120 BPM
Symphony No. 1 in B-Flat Major, Op. 2, Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA Major211B120 BPM
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo by Charles Avison, The Avison Ensemble, Pavlo BeznosiukConcerto Grosso No. 5 in D Minor (after D. Scarlatti): I. LargoCharles Avison, The Avison Ensemble, Pavlo BeznosiukD♭ Minor112A123 BPM
Dido and Aeneas / Act 3: Dido and Aeneas / Act 3: "Your councel all is urg'd in vain"Henry Purcell, Catherine Bott, Emma Kirkby, John Mark Ainsley, Academy of Ancient Music, Christopher HogwoodF♯ Minor011A83 BPM
L'arte dell'arco, B. F11: Variazione No. 23 by Giuseppe Tartini, Alessandro ClericiL'arte dell'arco, B. F11: Variazione No. 23Giuseppe Tartini, Alessandro ClericiF Major37B125 BPM
Suite in C Minor, BWV 997 (Arr. for Lute & Recorder): IV. Gigue & Double by Johann Sebastian Bach, Dorothee Oberlinger, Edin KaramazovSuite in C Minor, BWV 997 (Arr. for Lute & Recorder): IV. Gigue & DoubleJohann Sebastian Bach, Dorothee Oberlinger, Edin KaramazovB Minor110A128 BPM
The Indian Queen, Z. 630 : Act III - Trumpet Overture by The Scholars Baroque Ensemble, John Dryden, Henry PurcellThe Indian Queen, Z. 630 : Act III - Trumpet OvertureThe Scholars Baroque Ensemble, John Dryden, Henry PurcellD♭ Major13B112 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8000979423522949

End: 0.8047645092010498