"Viola Concerto (arr. for alto saxophone): III. Inquieto -" by Edison Denisov, Claude Delangle, BBC National Orchestra Of Wales, Tadaaki Otaka was released on November 30, 1995. The duration of Viola Concerto (arr. for alto saxophone): III. Inquieto - is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Viola Concerto (arr. for alto saxophone): III. Inquieto -'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 8 in Denisov: Saxophone Concerto / Peinture / Saxophone Sonata by Edison Denisov. In terms of popularity, Viola Concerto (arr. for alto saxophone): III. Inquieto - is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Viola Concerto (arr. for alto saxophone): III. Inquieto - by Edison Denisov, Claude Delangle, BBC National Orchestra Of Wales, Tadaaki Otaka is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pavane, Op. 50 (Version for Orchestra) | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | F♯ Minor | 0 | 11A | 70 BPM | ||
Rozhaki Bad | Criticalx47 | A Major | 0 | 11B | 81 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": VIII. Dance of the Eart | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM | ||
Sonata for Violin Solo No. 3 in C Major BWV 1005 Allegro Assai (J.S. Bach) | Johann Sebastian Bach, Stanislao Marco Spina | C Major | 1 | 8B | 110 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Mother Nature | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Variasjoner over Med Jesus vil eg fara: III. Var 2 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM |
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