"Concerto for Violin and Orchestra in D: III. Aria II" by Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra was released on 2000. Concerto for Violin and Orchestra in D: III. Aria II is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Shchedrin/Stravinsky/Tchaikovsky - Violin Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Concerto for Violin and Orchestra in D: III. Aria II is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Violin and Orchestra in D: III. Aria II by Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Violin Concerto No. 4 in D Major, K. 218: I. Allegro (Cadenza by Vengerov) | Wolfgang Amadeus Mozart, Maxim Vengerov, Verbier Festival Chamber Orchestra | D Major | 0 | 10B | 143 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: III. Passacaglia. Andante | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Brahms: Violin Sonata No. 2 in A Major, Op. 100: II. Andante tranquillo - Vivace | Johannes Brahms, Maxim Vengerov, Alexander Markovich | G Major | 2 | 9B | 96 BPM | ||
Khachaturian: Suite No. 3 from "Gayane": V. Sabre Dance (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Aram Khachaturian, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | B Minor | 3 | 10A | 92 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 1. Allegro | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 2 | 9A | 86 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM |
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