- BPM
- 126
- Key
- A Minor
- Camelot
- 8A
Carnival of the Animals, R. 125: VIII. Personages with Long Ears - Camille Saint-Saëns, Gewandhausorchester, Andris Nelsons Information
- Acousticness
- 98%
- Danceability
- 39%
- Energy
- 10%
- Instrumentalness
- 84%
- Liveness
- 8%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 7%
- Loudness
- -23.435 dB
Summary
"Carnival of the Animals, R. 125: VIII. Personages with Long Ears" by Camille Saint-Saëns, Gewandhausorchester, Andris Nelsons was released on February 29, 2024. With Carnival of the Animals, R. 125: VIII. Personages with Long Ears being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 33 in the song's album "Saint-Saëns". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carnival of the Animals, R. 125: VIII. Personages with Long Ears's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carnival of the Animals, R. 125: VIII. Personages with Long Ears BPM
With Carnival of the Animals, R. 125: VIII. Personages with Long Ears by Camille Saint-Saëns, Gewandhausorchester, Andris Nelsons having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Carnival of the Animals, R. 125: VIII. Personages with Long Ears Key
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variations on a Theme by Haydn, Op. 56a: Variation VII: Grazioso | Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini | A Major | 4 | 11B | 98 BPM | |
 | Wedding Cake, Op. 76, R. 124 | Camille Saint-Saëns, Romain Descharmes, Malmö Symphony Orchestra, Marc Soustrot | A♭ Major | 1 | 4B | 75 BPM | |
 | 13 Pieces, Op. 76: No. 10 Elegiaco | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 68 BPM | |
 | Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | |
 | Lieder ohne Worte, Op. 102: 5. Allegro vivace "The Joyous Peasant" | Felix Mendelssohn, András Schiff | A Major | 1 | 11B | 102 BPM | |
 | Piano Concerto in F Sharp Minor, Op. 20: IId. Variation 3 | Alexander Scriabin, Daniil Trifonov, Mariinsky Orchestra, Valery Gergiev | E♭ Minor | 0 | 2A | 82 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Var. 22. Marziale. Un poco più vivo. Alla breve | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 171 BPM | |
 | Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | |
 | Roma Orchestre Suite No.3: Andante molto | Georges Bizet, Paavo Järvi, Orchestre de Paris | C Major | 0 | 8B | 88 BPM |
- ISRC
- DEN962334809
- Label
- L-M Records/RCA Records
Section: 0.6644554138183594
End: 0.6758215427398682