Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti made "Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: II. Aria - Variatio - [Variatio]" available on February 17, 2023. The duration of Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: II. Aria - Variatio - [Variatio] is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: II. Aria - Variatio - [Variatio]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: II. Aria - Variatio - [Variatio] is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mystery (Rosary) Sonata No. 10 in G Minor, The Crucifixion and Death of Jesus: II. Aria - Variatio - [Variatio] by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Divertimento in E-Flat Major, TWV 50:21: Divertimento in E-Flat Major, TWV 50:21: V. Repas - VI. Repas alternativement | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Minor | 0 | 10A | 133 BPM | ||
La Terpsichore: VI. Deuxième Rondeau | Jean-Féry Rebel, Jordi Savall | B Major | 1 | 1B | 117 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Sonatae unarum fidium: III. Gigue | Johann Heinrich Schmelzer, Ensemble Stravaganza, Domitille Gilon, Thomas Soltani | A♭ Major | 4 | 4B | 123 BPM | ||
Partie 5 en si bémol majeur: Saraband | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 1 | 11B | 92 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Les Éléments: II. [Loure I :] La Terre | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 113 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Pastoreta Ypeché Flauta: II. Allegro | Anonymous, Florilegium | B Major | 1 | 1B | 108 BPM |
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