Oboe Concerto in D Major, Op. 7, No. 6: II. Adagio - Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis Information

Acousticness: 88%
Danceability: 15%
Energy: 8%
Instrumentalness: 89%
Liveness: 11%
Loudness: 59%
Speechiness: 5%
Valence: 4%
Popularity: 6%
Loudness: -24.528 dB

Summary

"Oboe Concerto in D Major, Op. 7, No. 6: II. Adagio" by Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis was released on November 8, 1995. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 18 in Albinoni: Oboe Concertos, Vol. 3 by Tomaso Albinoni. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Oboe Concerto in D Major, Op. 7, No. 6: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Oboe Concerto in D Major, Op. 7, No. 6: II. Adagio BPM

The tempo marking of Oboe Concerto in D Major, Op. 7, No. 6: II. Adagio by Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.

Oboe Concerto in D Major, Op. 7, No. 6: II. Adagio Key

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for 2 Oboes, Strings and Basso Continuo in G Major, Op. 9 No. 6: III. Allegro	Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo	F Minor	3	4A	92 BPM
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6	Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint	F Minor	0	4A	71 BPM
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave	Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana	F Minor	1	4A	108 BPM
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement	Marin Marais, Mieneke van der Velden, Glen Wilson	E♭ Minor	0	2A	120 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga	Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward	F Major	0	7B	104 BPM
Capriol Suite: 2. Pavane	Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	0	6B	160 BPM
Abdelazar Suite, Z. 570: VI. Air	Henry Purcell, Camerata Nordica, Terje Tonnesen	G Minor	2	6A	131 BPM
Keyboard Sonata in D Minor, Kk. 1	Domenico Scarlatti, Ivo Pogorelich	D Minor	1	7A	107 BPM
Sinfonia in C major, RV 112: I. Allegro	Karoly Botvay	G Major	2	9B	119 BPM
Menuet in G Minor (trans. W. Kempff)	Wilhelm Kempff, George Frideric Handel, Idil Biret	G Minor	0	6A	73 BPM

ISRC: HKI199202914
Label: L-M Records/RCA Records

Section: 0.7120981216430664

End: 0.7200112342834473