- BPM
- 70
- Key
- D♭ Minor
- Camelot
- 12A
Prélude Aria et final en mi majeur : I. Prélude - César Franck, Aldo Ciccolini Information
- Acousticness
- 99%
- Danceability
- 37%
- Energy
- 6%
- Instrumentalness
- 88%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -21.889 dB
Summary
"Prélude Aria et final en mi majeur : I. Prélude" by César Franck, Aldo Ciccolini was released on 1975. Prélude Aria et final en mi majeur : I. Prélude appears to be safe for all ages as it is not explicit. The song is number 4 out of 10 in Franck - Oeuvres Pour Piano by César Franck, Aldo Ciccolini. Prélude Aria et final en mi majeur : I. Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prélude Aria et final en mi majeur : I. Prélude BPM
The tempo marking of Prélude Aria et final en mi majeur : I. Prélude by César Franck, Aldo Ciccolini is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Prélude Aria et final en mi majeur : I. Prélude Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin | Claude Debussy, Arturo Benedetti Michelangeli | C Major | 3 | 8B | 78 BPM | |
 | Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | |
 | 4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | |
 | Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Four Excursions, Op. 20: No. 3. Allegretto | Samuel Barber, André Previn | G Major | 5 | 9B | 91 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.815993070602417
End: 0.8209183216094971