Claude Debussy, Alexis Weissenberg's 'Suite bergamasque, L. 75: IV. Passepied' came out on July 11, 2020. The duration of Suite bergamasque, L. 75: IV. Passepied is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Suite bergamasque, L. 75: IV. Passepied's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 74 in Debussy - Time by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Suite bergamasque, L. 75: IV. Passepied is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite bergamasque, L. 75: IV. Passepied by Claude Debussy, Alexis Weissenberg is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Debussy: Chansons de Bilitis, Musique de scène, CD 102, L. 96: IV. Chanson | Claude Debussy, Nash Ensemble, Delphine Seyrig, Marisa Robles, Lionel Friend | D♭ Major | 3 | 3B | 137 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | C Minor | 1 | 5A | 79 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 69 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 3, Serenade for the Doll | Claude Debussy, Simon Trpčeski | A♭ Minor | 0 | 1A | 180 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM |
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