Johann Caspar Ferdinand Fischer, Luc Beauséjour's ' "Musicalischer Parnassus: Erato, Suite No. 5: Allemande" was released on its scheduled release date, November 5, 1999. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 36 in Fischer: Musical Parnassus, Vol. 1 by Johann Caspar Ferdinand Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Musicalischer Parnassus: Erato, Suite No. 5: Allemande is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Musicalischer Parnassus: Erato, Suite No. 5: Allemande by Johann Caspar Ferdinand Fischer, Luc Beauséjour is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Livre des pieces de clavessin de tous les tons naturels et transposéz: Allemande en A mi la | Jean-Nicolas Geoffroy, Guillaume Haldenwang | D♭ Major | 0 | 3B | 78 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Sonata in E Minor, No. 8: III. Sarabanda: Largo | Arcangelo Corelli, François Fernandez, Glen Wilson | A♭ Minor | 3 | 1A | 122 BPM | ||
Missa Sancti Michaelis Archangeli: I. Kyrie | Johann Caspar Ferdinand Fischer, Marienkantorei Lemgo, Rainer Johannes Homburg, Handel's Company | B Major | 2 | 1B | 131 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 4 | 1B | 87 BPM | ||
6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio | Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 60 BPM | ||
Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet | Johann Sebastian Bach, Frank Theuns, Les Muffatti | B♭ Minor | 2 | 3A | 65 BPM |