"Piano Concerto No. 12 in A Major, K. 414: II. Andante" by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra was released on 1976. Since Piano Concerto No. 12 in A Major, K. 414: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 5 out of 83. On top of that, United States appears to be the country where this track was created. In terms of popularity, Piano Concerto No. 12 in A Major, K. 414: II. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 12 in A Major, K. 414: II. Andante by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in F Major, RV 138: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
25 Études faciles et progressives, Op. 100: No. 8, La gracieuse | Franz Burgmüller, Carl Petersson | C Major | 2 | 8B | 106 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
La Vida Breve: Danza Española No. 1 (Arr. for Harp & Guitar) | Manuel de Falla, Duo Multicorde | A Minor | 2 | 8A | 96 BPM | ||
Violin Concerto No. 5 in A Major, K. 219: III. Rondeau (Tempo di minuetto) | Wolfgang Amadeus Mozart, Joseph Joachim, Ossip Schnirlin, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 110 BPM | ||
Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Symphonie fantastique, Op. 14: 4. Marche au supplice. Allegretto non troppo | Hector Berlioz, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 2 | 6A | 168 BPM |
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