"Gounod : Faust : Act 4 "Arrête!" [Faust, Méphistophélès, Chorus]" by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra was released on 1992. The duration of Gounod : Faust : Act 4 "Arrête!" [Faust, Méphistophélès, Chorus] is about 3 minutes long, at 3:03. Based on our data, "Gounod : Faust : Act 4 "Arrête!" [Faust, Méphistophélès, Chorus]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra's "Gounod : Faust [Highlights]" album is number 15 out of 21. Gounod : Faust : Act 4 "Arrête!" [Faust, Méphistophélès, Chorus] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod : Faust : Act 4 "Arrête!" [Faust, Méphistophélès, Chorus] by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova | D Major | 0 | 10B | 80 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Jenő Jandó | D♭ Minor | 0 | 12A | 163 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | E♭ Major | 2 | 5B | 86 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM |
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