"La vestale, Act II: Récit. Julia !" by Gaspare Spontini, Marina Rebeka, Stanislas de Barbeyrac, Les Talens Lyriques, Christophe Rousset was released on May 12, 2023. With La vestale, Act II: Récit. Julia ! being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Spontini: La vestale". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. La vestale, Act II: Récit. Julia ! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La vestale, Act II: Récit. Julia ! by Gaspare Spontini, Marina Rebeka, Stanislas de Barbeyrac, Les Talens Lyriques, Christophe Rousset having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Le nozze di Figaro, K. 492, Act 2: "Porgi amor" (Contessa) | Wolfgang Amadeus Mozart, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D♭ Major | 2 | 3B | 91 BPM | ||
Fidelio, Op. 72, Act I: Aria. O war' ich schon mit dir vereint (Marzelline) | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
La vestale, Act II: Air et Récit. Les dieux prendront pitié du sort qui nous accable | Gaspare Spontini, Marina Rebeka, Stanislas de Barbeyrac, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Così fan tutte, K. 588: Act 1: "Abbraciami, Idol Mio" - Quintetto "Di Scrivermi Ogni Giorno" - Coro "Bella Vita Militar!" / Sc. 6 - Recitativo "Dove Son?" | Wolfgang Amadeus Mozart, Concerto Köln, Bernarda Fink, Pietro Spagnoli, Véronique Gens, Marcel Boone, Werner Güra, Kölner Kammerchor, René Jacobs | F Major | 0 | 7B | 81 BPM | ||
L'Olimpiade, Act I Scene 3: Aria. "O care selve" | Domenico Cimarosa, Marie Lys, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Messa di Gloria: XVIII. Agnus Dei | Giacomo Puccini, Charles Castronovo, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | C Major | 1 | 8B | 140 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM |
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