"II. Crucifixus" by Antonio Lotti, Thomas Hengelbrock was released on January 1, 1990. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Antonio Lotti, Thomas Hengelbrock's "Lotti: Requiem" album is number 27 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, II. Crucifixus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of II. Crucifixus by Antonio Lotti, Thomas Hengelbrock to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Miserere in C Minor: Quoniam si voluisses | Antonio Lotti, The Syred Consort, Ben Palmer, Orchestra of St. Paul's | E♭ Major | 1 | 5B | 75 BPM | ||
Missa Pro Defunctis: Kyrie 1 | Antonio Lotti, Ensemble Métamorphoses de Paris, Maurice Bourbon, Anne Guidet, Edith Sauzay, Catherine Betchen, Marielle Debouverie, Jacques Maes, Jean-François Chiama, Sylvère Bourges, Enrico Bava, Jean-Louis Carlier, Marie-Françoise Cassou, Pascale Constantini | B Minor | 1 | 10A | 129 BPM | ||
Ubi Caritas | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Pueri concinite | Jacobus Gallus, Choeur Concinite de Louvain, Aerts Karel | G Major | 1 | 9B | 69 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 141 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM |
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