City Of Birmingham Symphony Orchestra, Sir Mark Elder made "Hamlet Op. 32 - 1932 Production - Act V - Fortinbras' march" available on June 28, 2005. The duration of Hamlet Op. 32 - 1932 Production - Act V - Fortinbras' march is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Hamlet Op. 32 - 1932 Production - Act V - Fortinbras' march's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #30. In terms of popularity, Hamlet Op. 32 - 1932 Production - Act V - Fortinbras' march is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Hamlet Op. 32 - 1932 Production - Act V - Fortinbras' march by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Requiem, Op. 63: IVi. Iuste iudex ultionis – | Charles Villiers Stanford, James Way, City Of Birmingham Symphony Orchestra, Martyn Brabbins | B♭ Major | 1 | 6B | 80 BPM | ||
The Four Seasons Recomposed, Spring (After A. Vivaldi): II. — | Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray | D♭ Minor | 2 | 12A | 83 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 1 | 9B | 129 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | G Major | 0 | 9B | 84 BPM |
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