Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 3: "Noires filles du Stix" (Médée, Chorus)' came out on March 28, 1995. With Charpentier : Médée, Act 3: "Noires filles du Stix" (Médée, Chorus) being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 39 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Act 3: "Noires filles du Stix" (Médée, Chorus)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Charpentier : Médée, Act 3: "Noires filles du Stix" (Médée, Chorus) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Solomon, HWV 67, Act III: No. 61 Double Chorus "Praise the Lord with harp and tongue!" | George Frideric Handel, Akademie für Alte Musik Berlin, RIAS Kammerchor, Daniel Reuss | D Minor | 10 | 7A | 143 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 1 | 3A | 173 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Dialogus inter angelos et Pastores Judeae in nativitatem Domini, H. 420, "Usquequo avertis faciem tuam Domine": III. Reveil des bergers | Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 84 BPM | ||
Missa brevis in D Major, K. 194: II. Gloria | Wolfgang Amadeus Mozart, Collegium Classicum Köln, Hilke Helling, Klaus Mertens, Klaus Schneider, Kölner Kammerchor, Maria Zedelius, Peter Neumann | F Major | 0 | 7B | 91 BPM | ||
Herr, wenn ich nur dich hab, BuxWV 38 | Dietrich Buxtehude, Purcell Quartet, Suzie LeBlanc | G Major | 1 | 9B | 88 BPM | ||
Recorder Concerto in F Major: I. Allegro | Giovanni Battista Sammartini, Maurice Steger, Instrumentalensemble | B Minor | 1 | 10A | 78 BPM |
Section: 0.7378573417663574
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