William Walton, James Ehnes, BBC Symphony Orchestra, Edward Gardner made "Viola Concerto (1961 Version): II. Vivo, con molto preciso" available on April 6, 2018. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Walton: Viola Concerto, Sonata for String Orchestra & Partita for Orchestra by William Walton, James Ehnes, BBC Symphony Orchestra, Edward Gardner. The song's track number on the album is #2 out of 10 tracks. Based on our statistics, Viola Concerto (1961 Version): II. Vivo, con molto preciso's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Viola Concerto (1961 Version): II. Vivo, con molto preciso by William Walton, James Ehnes, BBC Symphony Orchestra, Edward Gardner has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Viola Concerto (1961 Version): II. Vivo, con molto preciso being at 144 BPM, the half-time would be 72 BPM with a double-time of 288 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Belshazzar's Feast: Babylon was a great city | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | D Major | 2 | 10B | 150 BPM | ||
Antar (After N. Rimsky-Korsakov): No. 7. Ravel: Allegretto | Maurice Ravel, Andre Dussollier, Orchestre National De Lyon, Leonard Slatkin | F Major | 0 | 7B | 138 BPM | ||
The Twelve | William Walton, Nicholas Morton, Oliver Lepage-Dean, Edward Lyon, Gareth Jones, Aaron Burchell, Choir of St. John's College, Cambridge, Christopher Robinson | G Minor | 1 | 6A | 78 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
The Enchanted Lake, Op. 62 | Anatoly Lyadov, Alan Gilbert, New York Philharmonic | D♭ Major | 0 | 3B | 71 BPM | ||
Walton: Belshazzar's Feast: II. Babylon Was a Great City | William Walton, Sir Simon Rattle, Cleveland Orchestra Chorus, City of Birmingham Symphony Chorus, Thomas Hampson, City Of Birmingham Symphony Orchestra | E Minor | 3 | 9A | 120 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Five Bagatelles No. 3: Alla Cubana | William Walton, Sergio Santes | B Minor | 1 | 10A | 125 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM |
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