Jenő Hubay, Josef Sakonov, London Festival Orchestra's 'Hejre Kati, Op.32' came out on January 1, 1972. The duration of Hejre Kati, Op.32 is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Hejre Kati, Op.32's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violinissimo: Great Violin Encores by Erich Gruenberg, Josef Sakonov. The song's track number on the album is #1 out of 23 tracks. The popularity of Hejre Kati, Op.32 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hejre Kati, Op.32 by Jenő Hubay, Josef Sakonov, London Festival Orchestra has a tempo of 171 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Hejre Kati, Op.32 being at 171 BPM, the half-time would be 86 BPM with a double-time of 342 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse-impromptu, S213/R36 (arr. J. Hubay for violin and piano) | Franz Liszt, Jenő Hubay, Ferenc Szecsődi, Istvan Kassai | A Major | 1 | 11B | 68 BPM | ||
Valse Melancolique No. 6 in F Minor | Carlos Marquez | C Minor | 2 | 5A | 99 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Vivaldi: La stravaganza, Violin Concerto in E Minor, Op. 4 No. 2, RV 279: I. Allegro | Antonio Vivaldi, Europa Galante, Fabio Biondi | E♭ Minor | 3 | 2A | 109 BPM | ||
Variazioni di bravura, on Caprice No. 24 | Niccolò Paganini, Scott St. John, Simon Wynberg | G Major | 2 | 9B | 100 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
5 Morceaux caracteristiques, Op. 51: No. 3. Bolero | Jenő Hubay, Ferenc Szecsődi, Istvan Kassai | F Major | 2 | 7B | 113 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM | ||
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM |
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