"West Side Story: 8. Cool" by Leonard Bernstein, Kurt Ollmann was released on January 1, 1985. With this song being about 5 minutes long, at 4:36, "West Side Story: 8. Cool" by Leonard Bernstein, Kurt Ollmann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 33 in Bernstein: West Side Story by Leonard Bernstein. West Side Story: 8. Cool is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of West Side Story: 8. Cool by Leonard Bernstein, Kurt Ollmann is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Mambo (Meno presto) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | E Minor | 8 | 9A | 137 BPM | ||
The Firebird Suite (1919 Version): IV. The Princesses' Round | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | B Major | 0 | 1B | 166 BPM | ||
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
Carmen Suite No. 1: Les Toréadors. Allegro giocoso (Introduction to Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 113 BPM | ||
La Traviata / Act 3: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 0 | 4B | 135 BPM | ||
Billy the Kid Suite: VII. Billy's Death | Aaron Copland, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 46 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM |
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