Nino Rota, Mario Carbotta, Carlo Balzaretti's '5 Pezzi facili: No. 1. La passeggiata de Puccettino' came out on January 1, 1999. With 5 Pezzi facili: No. 1. La passeggiata de Puccettino being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Rota, N.: Chamber Music for Flute". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Italy. In terms of popularity, 5 Pezzi facili: No. 1. La passeggiata de Puccettino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Pezzi facili: No. 1. La passeggiata de Puccettino by Nino Rota, Mario Carbotta, Carlo Balzaretti having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral | E Major | 0 | 12B | 76 BPM | ||
Sandra's motif | Anton Strandh, Henrik Lindström | A Major | 0 | 11B | 66 BPM | ||
Double Concerto for 2 Violins and String Orchestra: II. Adagio | Royal Scottish National Orchestra, Philip Mann, Sharon Roffman, Vesna Stefanovic-Gruppman, Igor Gruppma, Michael Fine | F Major | 1 | 7B | 93 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Romeo & Juliet: Dance of the Knights (Arranged by Wadim Borissovsky) | Sergei Prokofiev, Ettore Causa, Ulrich Stærk | B♭ Minor | 0 | 3A | 92 BPM | ||
Cançons i Danses: No. 6, Cantabile espressivo - Ritmado | Carlo Balzaretti | E♭ Minor | 0 | 2A | 68 BPM | ||
Wanderlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
Lyssenko: Rhapsody on Ukrainian Themes No. 2, Op. 18: II. Shumka (Version for Piano Solo) | Mykola Lysenko, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Femina Feminae VI. L'ecole Buissonière | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM |
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