- BPM
- 123
- Key
- A Minor
- Camelot
- 8A
A Moorside Suite, H. 173: March - Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones Information
- Acousticness
- 88%
- Danceability
- 28%
- Energy
- 18%
- Instrumentalness
- 84%
- Liveness
- 8%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 22%
- Popularity
- 10%
- Loudness
- -16.501 dB
Summary
Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones's 'A Moorside Suite, H. 173: March' came out on March 8, 2002. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 17 in ENGLISH STRING MINIATURES, Vol. 4 by David Lloyd-Jones, Royal Northern Sinfonia. Based on our statistics, A Moorside Suite, H. 173: March's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
A Moorside Suite, H. 173: March BPM
The tempo marking of A Moorside Suite, H. 173: March by Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Moorside Suite, H. 173: March Key
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | |
 | Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F Major | 1 | 7B | 111 BPM | |
 | Wedding Day at Troldhaugen | Edvard Grieg, The New Symphony Orchestra Of London, Charles Mackerras | G Major | 1 | 9B | 136 BPM | |
 | Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | |
 | The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | |
 | Coriolan, Op. 62: Overture | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | |
 | Adam Zero: Adam's Fates | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 3 | 7A | 118 BPM | |
 | Walton: Henry V: Passacaglia "Death of Falstaff" | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 79 BPM | |
 | Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D♭ Major | 0 | 3B | 65 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8668513298034668
End: 0.870265007019043