"Mother of God, Here I Stand" by John Tavener, Apollo5 was released on February 12, 2021. The duration of Mother of God, Here I Stand is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Mother of God, Here I Stand's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Where All Roses Go by Apollo5. The song's track number on the album is #9 out of 20 tracks. Mother of God, Here I Stand is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mother of God, Here I Stand by John Tavener, Apollo5 has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Mother of God, Here I Stand being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
Akhmatova Requiem: I. Dedication - Live | John Tavener, John Shirley-Quirk, Phyllis Bryn-Julson, BBC Symphony Orchestra, Gennady Rozhdestvensky | C Minor | 1 | 5A | 94 BPM | ||
Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 82 BPM | ||
Pange lingua, WAB 33 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | A Minor | 0 | 8A | 79 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
O isplendor | John Tavener, Cappella Nova, Louise Wayman, Richard Wyn Roberts, Graham Neal, Paul Charrier, Alan Tavener | C Major | 0 | 8B | 82 BPM | ||
Northern Lights | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 68 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM |
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