"A Dialogue on a Kisse" by Henry Lawes, Dorothee Mields, Magdalene Harer, Hathor Consort had its release date on October 6, 2023. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. A Dialogue on a Kisse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "On Byrd's Wings". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, A Dialogue on a Kisse's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Dialogue on a Kisse by Henry Lawes, Dorothee Mields, Magdalene Harer, Hathor Consort having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Te Deum "de Lyon": VII. Tu rex gloriæ, Christe | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Nymphs of the Springs: Nature First Played Well Her Part | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Christ lag in Todesbanden, BWV 4: III. Den Tod niemand zwingen kunnt | Johann Sebastian Bach, Dorothee Mields, Alex Potter, Collegium Vocale Gent, Philippe Herreweghe | D♭ Major | 1 | 3B | 93 BPM | ||
O Sing Unto the Lord, Z44: Symphony - O Sing - Sing Unto the Lord - The Lord is Great - O Worship - Tell it Out | Henry Purcell, The Sixteen, Harry Christophers | G Major | 4 | 9B | 105 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
From Hardy Climes and Dangerous Toils of War, Z. 325: The Sparrow and the Gentle Dove | Henry Purcell, Nicholas Mulroy, Elizabeth Kenny, Toby Carr, Music for a While | D Minor | 1 | 7A | 123 BPM | ||
Mass in B Minor, BWV 232: Cum Sancto Spiritu (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 4 | 3B | 98 BPM | ||
J’ay mille fois pensé dans ma douce langueur | Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Lucile Richardot | B♭ Major | 2 | 6B | 113 BPM |