On August 1, 1996, the song "Concerto for 3 Violins in D Major: I. Allegro (arr. S. Standage for 3 violins and chamber ensemble) [After BWV 1064]" was released by Johann Sebastian Bach, Simon Standage, Micaela Comberti, Miles Golding, Collegium Musicum 90. Concerto for 3 Violins in D Major: I. Allegro (arr. S. Standage for 3 violins and chamber ensemble) [After BWV 1064] is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The song is number 10 out of 12 in Bach, J.S.: Violin Concertos, Bwv 1041-1043 / Concerto for 3 Violins, Bwv 1064 by Johann Sebastian Bach, Simon Standage. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Concerto for 3 Violins in D Major: I. Allegro (arr. S. Standage for 3 violins and chamber ensemble) [After BWV 1064] is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto for 3 Violins in D Major: I. Allegro (arr. S. Standage for 3 violins and chamber ensemble) [After BWV 1064] by Johann Sebastian Bach, Simon Standage, Micaela Comberti, Miles Golding, Collegium Musicum 90 is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 118 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
Concerto grosso in G Minor, Op. 3/2, RV. 578: I. Adagio e spiccato | Antonio Vivaldi, Simon Standage, Michaela Comberti, Jaap Ter Linden, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 83 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM |
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