"Chopin: Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1" by Frédéric Chopin, Arthur Rubinstein was released on February 5, 1999. With this song being about 5 minutes long, at 4:56, "Chopin: Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1" by Frédéric Chopin, Arthur Rubinstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Legendary Rubinstein". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Chopin: Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chopin: Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 by Frédéric Chopin, Arthur Rubinstein having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in C-Sharp Minor, B. 49 | Frédéric Chopin, Maria Tipo | F Major | 0 | 7B | 88 BPM | ||
Beethoven - Sonata n.23 "Apassionata" - Allegro assai | Flavio Varani | F Minor | 1 | 4A | 57 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Invitation to the Dance | Carl Maria von Weber, Thierry De Brunhoff | D♭ Major | 1 | 3B | 122 BPM | ||
Waldszenen, Op. 82: VII. Vogel als Prophet | Robert Schumann, Andreas Staier | G Minor | 0 | 6A | 120 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM |
Section: 0.5301558971405029
End: 0.5353989601135254