"Esquinas, Op. 68" by Juan Orrego-Salas, Luis Orlandini was released on August 22, 2010. Since Esquinas, Op. 68 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 30 in Bicentenario de la Guitarra Chilena Vol.2 by Luis Orlandini. In terms of popularity, Esquinas, Op. 68 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Esquinas, Op. 68 by Juan Orrego-Salas, Luis Orlandini is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hary Janos Suite: Háry János Suite: IV. The Battle and Defeat of Napoleon | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 83 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
Concierto del Sur for Guitar and Orchestra (1941): II. Andante | Manuel Ponce, Alondra de la Parra, Philharmonic Orchestra of the Americas | C Major | 0 | 8B | 113 BPM | ||
4 Liriche brevi, Op. 61: No. 4. Appassionata | Juan Orrego-Salas, Eugene Carinci, Samuel Magrill | F Minor | 2 | 4A | 78 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | B♭ Major | 3 | 6B | 89 BPM | ||
5 Bagatelles for clarinet and piano, Op. 23: 2. Romance - Andante tranquillo | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Minor | 0 | 4A | 67 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, London Philharmonic Orchestra | E Minor | 1 | 9A | 137 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Cristina Ortiz, Bournemouth Symphony Orchestra, Paavo Berglund | B♭ Major | 3 | 6B | 144 BPM |
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