"Mirra, Op. 13: Interlude (from Act III: Prelude)" by Nicolas Flagello, Ukraine National Radio Symphony Orchestra, John McLaughlin Williams was released on January 1, 2007. Since Mirra, Op. 13: Interlude (from Act III: Prelude) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 13 in Flagello: Violin Concerto / Orchestral Songs by Nicolas Flagello, John McLaughlin Williams. Based on our statistics, Mirra, Op. 13: Interlude (from Act III: Prelude)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mirra, Op. 13: Interlude (from Act III: Prelude) by Nicolas Flagello, Ukraine National Radio Symphony Orchestra, John McLaughlin Williams is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): VIII. The Prince has an Idea | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Talin-Concerto for Clarinet and String Orchestra: III. Canzona | Alan Hovhaness, Orchestra Da Camera Di Roma, Nicolas Flagello | D Minor | 1 | 7A | 85 BPM | ||
Holberg Suite Op 40: Praeludium - Produced | Edvard Grieg, Orchestra Da Camera Di Roma, Nicolas Flagello | B♭ Major | 1 | 6B | 122 BPM | ||
Faeroe Island Dance - Produced | Percy Grainger, UCLA Wind Ensemble, Nicolas Flagello, James Westbrook | E♭ Major | 1 | 5B | 117 BPM | ||
Concerto in G for Two Mandolins and Orchestra - Produced | Antonio Vivaldi, Orchestra Da Camera Di Roma, Giuseppe Anedda, Nicolas Flagello | D Major | 1 | 10B | 88 BPM | ||
Calm Cascades | Marko Celesty, Magical Flute Moments | G Major | 0 | 9B | 89 BPM | ||
Serenade in G Major (original version): II. Air: Lento, ma non troppo | Ernest John Moeran, Ulster Orchestra, Joann Falletta | E Minor | 0 | 9A | 110 BPM | ||
Theme, Variations and Fugue, Op. 20: II: Andantino misurato | Nicolas Flagello, Slovak Radio Symphony Orchestra, David Amos | B Major | 0 | 1B | 91 BPM | ||
Serenade for Strings, Op. 1: II. Andante con Moto | Samuel Barber, Orchestra Da Camera Di Roma, Nicolas Flagello | C Major | 2 | 8B | 97 BPM |
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