"Serenade in G Major (original version): II. Air: Lento, ma non troppo" by Ernest John Moeran, Ulster Orchestra, Joann Falletta was released on April 2, 2013. The duration of Serenade in G Major (original version): II. Air: Lento, ma non troppo is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Serenade in G Major (original version): II. Air: Lento, ma non troppo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ernest John Moeran, Joann Falletta's "Moeran: Cello Concerto - Serenade" album is number 5 out of 13. In terms of popularity, Serenade in G Major (original version): II. Air: Lento, ma non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade in G Major (original version): II. Air: Lento, ma non troppo by Ernest John Moeran, Ulster Orchestra, Joann Falletta to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of Springtime: I. Under the Greenwood Tree | Ernest John Moeran, Finzi Singers, Paul Spicer | E♭ Major | 4 | 5B | 89 BPM | ||
Fontane di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D Minor | 0 | 7A | 88 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Adagio pour quatuor d'orchestre | Guillaume Lekeu, Amsterdam Sinfonietta, Candida Thompson | A♭ Major | 0 | 4B | 75 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Otto Klemperer, New Philharmonia Orchestra | D Major | 3 | 10B | 113 BPM | ||
Take the A Train (arr. D. Ellington for orchestra) | Duke Ellington, Billy Strayhorn, Sal Andolina, Tony Di Lorenzo, Amy Licata, Buffalo Philharmonic Orchestra, Joann Falletta | F Minor | 4 | 4A | 177 BPM | ||
Pensive Clap - Live with the Ulster Orchestra | Phil Kieran, Ulster Orchestra | F Major | 5 | 7B | 106 BPM | ||
Concert Variations on an English Theme, Op. 71, "Down Among the Dead Men": Variation XII. Finale. Allegro moderato e deciso | Charles Villiers Stanford, Vernon Handley, Ulster Orchestra, Margaret Fingerhut | E♭ Major | 1 | 5B | 137 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Three Black Kings (completed by M. Ellington): No. 2. King Solomon | Duke Ellington, Mercer Ellington, Sal Andolina, Buffalo Philharmonic Orchestra, Joann Falletta | G Minor | 0 | 6A | 84 BPM |
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