Take the A Train (arr. D. Ellington for orchestra)
Duke Ellington, Billy Strayhorn, Sal Andolina, Tony Di Lorenzo, Amy Licata, Buffalo Philharmonic Orchestra, Joann Falletta
Ellington: Black, Brown and Beige
6:19 February 5, 2013
BPM
177
Key
F Minor
Camelot
4A

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Take the A Train (arr. D. Ellington for orchestra) - Duke Ellington, Billy Strayhorn, Sal Andolina, Tony Di Lorenzo, Amy Licata, Buffalo Philharmonic Orchestra, Joann Falletta Information

Acousticness
49%
Danceability
29%
Energy
37%
Instrumentalness
0%
Liveness
11%
Loudness
77%
Speechiness
4%
Valence
54%
Popularity
Loudness
-13.954 dB

Summary

Duke Ellington, Billy Strayhorn, Sal Andolina, Tony Di Lorenzo, Amy Licata, Buffalo Philharmonic Orchestra, Joann Falletta's ' "Take the A Train (arr. D. Ellington for orchestra)" was released on its scheduled release date, February 5, 2013. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The song is number 13 out of 13 in Ellington: Black, Brown and Beige by Duke Ellington, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Take the A Train (arr. D. Ellington for orchestra) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Take the A Train (arr. D. Ellington for orchestra) BPM

The tempo marking of Take the A Train (arr. D. Ellington for orchestra) by Duke Ellington, Billy Strayhorn, Sal Andolina, Tony Di Lorenzo, Amy Licata, Buffalo Philharmonic Orchestra, Joann Falletta is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Take the A Train (arr. D. Ellington for orchestra) Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC
HKI191246413
Label
L-M Records/RCA Records