"Sonata for 2 Violins, Op. 5, No. 8: II. Largo" by Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La was released on January 1, 2002. The duration of Sonata for 2 Violins, Op. 5, No. 8: II. Largo is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Sonata for 2 Violins, Op. 5, No. 8: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Battista Mazzaferrata, Stefano Montanari's "Mazzaferrata: Primo Libro Delle Sonate A 2 Violini (Il)" album is number 30 out of 49. On top of that, Italy appears to be the country where this track was created. Sonata for 2 Violins, Op. 5, No. 8: II. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for 2 Violins, Op. 5, No. 8: II. Largo by Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for 2 Violins, Op. 5, No. 11: III. Adagio | Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La | D Major | 5 | 10B | 78 BPM | ||
Symphony No. 15 in D Major, Hob. I:15: 4. Finale. Presto - 2024 Remastered Version | Joseph Haydn, Derek Solomons, L'Estro Armonico | G Major | 0 | 9B | 135 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM | ||
Sonata No. 6 for Three Cellos in D Minor: IV. Vivace con brio | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | D♭ Minor | 2 | 12A | 122 BPM | ||
Sonata for 2 Violins, Op. 5, No. 9: IV. Presto | Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La | F Major | 1 | 7B | 71 BPM | ||
Recorder Concerto No. 9 in A Minor: II. Largo | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 1 | 1A | 126 BPM | ||
Partita No. 5 in G Major, BWV 829: IV. Sarabande | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Psyche, Act I Scene 1: Symphony of rustick musick representing an eccho | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata for 2 Violins, Op. 5, No. 6: III. Largo | Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La | F Major | 1 | 7B | 71 BPM |
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