- BPM
- 64
- Key
- F Minor
- Camelot
- 4A
Pacini: Saffo: Qual io t'aborro - Faone, Saffo, Chorus - Act One - Giovanni Pacini, Tito del Bianco, Leyla Gencer, Teatro San Carlo Orchestra & Chorus Information
- Acousticness
- 99%
- Danceability
- 8%
- Energy
- 12%
- Instrumentalness
- 86%
- Liveness
- 11%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -21.407 dB
Summary
"Pacini: Saffo: Qual io t'aborro - Faone, Saffo, Chorus - Act One" by Giovanni Pacini, Tito del Bianco, Leyla Gencer, Teatro San Carlo Orchestra & Chorus was released on April 11, 2006. The duration of Pacini: Saffo: Qual io t'aborro - Faone, Saffo, Chorus - Act One is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Pacini: Saffo: Qual io t'aborro - Faone, Saffo, Chorus - Act One's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Saffo". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Pacini: Saffo: Qual io t'aborro - Faone, Saffo, Chorus - Act One is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pacini: Saffo: Qual io t'aborro - Faone, Saffo, Chorus - Act One BPM
With Pacini: Saffo: Qual io t'aborro - Faone, Saffo, Chorus - Act One by Giovanni Pacini, Tito del Bianco, Leyla Gencer, Teatro San Carlo Orchestra & Chorus having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Pacini: Saffo: Qual io t'aborro - Faone, Saffo, Chorus - Act One Key
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
![Matilde di Shabran, Act II Scene 12 (1821 Version): Vanne, o caro. A te m'affido [Live] by Giovanni Pacini, Sara Blanch, Victoria Yarovaya, Passionart Orchestra Krakow, José Miguel Pérez-Sierra](https://i.scdn.co/image/ab67616d00001e028adc2a96389d9066d754dec3) | Matilde di Shabran, Act II Scene 12 (1821 Version): Vanne, o caro. A te m'affido [Live] | Giovanni Pacini, Sara Blanch, Victoria Yarovaya, Passionart Orchestra Krakow, José Miguel Pérez-Sierra | A Major | 2 | 11B | 169 BPM | |
 | Saffo: Act I: Scena III - Faon | Giovanni Pacini, Davide Baronchelli, Gemma Bertagnolli, Roberto de Candia, Aled Hall, Lubomir Matl, Francesca Pedaci, Mariana Pentcheva, Carlo Ventre, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Maurizio Benini | D♭ Major | 2 | 3B | 128 BPM | |
 | Donizetti: Anna Bolena, Act 2: "Al dolce guidami castel natio" (Anna Bolena) | Gaetano Donizetti, Maria Callas, Philharmonia Orchestra, Nicola Rescigno | F Major | 0 | 7B | 76 BPM | |
 | Norma (1997 - Remaster), Act II, Scene 3: Qual cor tradisti, qual cor perdesti (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 2 | 9B | 96 BPM | |
 | L'Ultimo giorno di Pompei: Act I Scene 1: Del nobile serto (Chorus, Pubblio) | Giovanni Pacini, Raul Gimenez, Iano Tamar, Nicolas Rivenq, Gregory Bonfatti, Sonia Lee, Riccardo Novaro, Svetlana Sidorova, Emil Alekperov, Bratislava Chamber Choir, Catania Teatro Massimo Bellini Orchestra, Giuliano Carella | C Major | 3 | 8B | 135 BPM | |
 | La Bohème / Act 4: "Gavotta" | Giacomo Puccini, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 86 BPM | |
 | Pacini: Alessandro nell'Indie, Act 1: "Nume propizio" (Chorus) | Giovanni Pacini, David Parry, London Philharmonic Orchestra | E Major | 1 | 12B | 75 BPM | |
| Norma (1997 Digital Remaster), ACT 1, Scene 1: Me protegge, me difende un poter maggior di loro (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 3 | 5B | 74 BPM | |
| La Bohème / Act 2: "Viva Parpignol..." - "Una cuffietta a pizzi" | Giacomo Puccini, Rolando Panerai, Mirella Freni, Gianni Maffeo, Nicolai Ghiaurov, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 110 BPM | |
 | Dunque è proprio finita? (Rodolfo/Mimì/Marcello/Musetta) - 1997 Remastered Version | Giacomo Puccini, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 1 | 2B | 81 BPM |
- ISRC
- US89R0695951
- Label
- L-M Records/RCA Records
Section: 0.6716344356536865
End: 0.6761813163757324