- BPM
- 134
- Key
- C Major
- Camelot
- 8B
Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf - Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra Information
- Acousticness
- 79%
- Danceability
- 50%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 22%
- Loudness
- 68%
- Speechiness
- 24%
- Valence
- 29%
- Popularity
- 24%
- Loudness
- -18.951 dB
Summary
Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra's 'Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf' came out on May 2, 1978. With Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Based on our statistics, Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf BPM
The tempo marking of Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf by Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf Key
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 35, Romeo decides to avenge Mercutio's Death | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 4 | 7B | 103 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): He tells the Bird to distract the Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 1 | 8B | 154 BPM | |
 | Printemps (arr. H. Busser for orchestra): II. Modere | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | A Major | 3 | 11B | 95 BPM | |
 | The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | |
 | Symphony No. 2 in C Minor "Resurrection" / 5: Im Tempo des Scherzo: Langsam. Misterioso - "Auferstehen, ja auferstehen wirst du gesät" | Gustav Mahler, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F♯ Major | 0 | 2B | 85 BPM | |
 | Jeux d'enfants, Op. 22: I. March | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 132 BPM | |
 | 1. Pour, oh pour the pirate sherry | Arthur Sullivan, George Cook, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 3 | 5B | 96 BPM | |
 | Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Infirma nostri corporis" | Gustav Mahler, Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 91 BPM | |
 | Prokofiev: Cinderella, Op. 87, Act 2: No. 26, Mazurka and Entrance of the Prince (Allegro) | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 2 | 9B | 112 BPM | |
 | Carnival of the Animals, R. 125: IV. Tortoises | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | B♭ Major | 0 | 6B | 120 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6229841709136963
End: 0.6267061233520508