"Carnival of the Animals, R. 125: IV. Tortoises" by Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard was released on July 2, 1990. The duration of Carnival of the Animals, R. 125: IV. Tortoises is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Carnival of the Animals, R. 125: IV. Tortoises's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Prokofiev: Peter and the Wolf - Saint-Saëns: Carnival of the Animals". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carnival of the Animals, R. 125: IV. Tortoises's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnival of the Animals, R. 125: IV. Tortoises by Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | ||
Le Cygne (The Swan) | Camille Saint-Saëns, 宮田 大 | G Major | 0 | 9B | 62 BPM | ||
Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and guitar) | Anonymous , Camille Saint-Saëns, Claremont Duo | G Minor | 2 | 6A | 122 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Je te veux | Erik Satie, Giacomo Scinardo | C Major | 1 | 8B | 112 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM |
Section: 0.8031399250030518
End: 0.8076026439666748