"Russian Rag" by Elena Kats-Chernin was released on June 21, 2005. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Ragtime & Blue". In this album, this song's track order is #3. Russian Rag is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Russian Rag by Elena Kats-Chernin having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente) | Academy of St. Martin in the Fields | A Minor | 0 | 8A | 93 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, Symfonický orchester Slovenského rozhlasu, Ondrej Lenard | B♭ Major | 2 | 6B | 77 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Ingrid Fliter | A♭ Major | 0 | 4B | 74 BPM | ||
Romeo and Juliet, Op. 64: Act I: Dance of the Knights | Sergei Prokofiev, Ukraine National Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 96 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Rêverie, L. 68 | Claude Debussy, Zoltán Kocsis | D Minor | 0 | 7A | 70 BPM | ||
String Quartet No. 3, "Mishima": I. 1957: Award Montage | Philip Glass, Carducci String Quartet | C Minor | 1 | 5A | 120 BPM | ||
Lyric Pieces, Book 1, Op. 12: Vektersang (Watchman's Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 71 BPM | ||
Symphony No. 7 In a Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Anton Nanut, Russian Symphony Orchestra Ljubljana | C Major | 1 | 8B | 140 BPM | ||
The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM |
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