"Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary"" by London Festival Orchestra was released on January 1, 2008. The duration of Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary" is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 26 in Classical Piano's Greatest Moments by London Festival Orchestra. Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin: Etude #12 In C Minor, Op. 10/12, "Revolutionary" by London Festival Orchestra is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Peter Katin | G Minor | 3 | 6A | 106 BPM | ||
Jocelyn - Opera In 4 Acts: Berceuse | Benjamin Godard, Patrick Gallois, Fabrice Pierre, London Festival Orchestra, Ross Pople | F Major | 0 | 7B | 70 BPM | ||
Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Paquita: Variation 5: Allegro non troppo (by Cherepnin) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Minor | 1 | 9A | 140 BPM | ||
Für Elise, WoO 59 | Ludwig van Beethoven, Nelly Kokinos | A Minor | 1 | 8A | 127 BPM | ||
Carmen, Opera Suite No. 1: VI. Avec la garde montante, Act 1 | London Festival Orchestra Alfred Scholz | A Major | 3 | 11B | 127 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Lawrence Of Arabia: Theme - From "Lawrence Of Arabia" | London Festival Orchestra, Stanley Black | D Major | 2 | 10B | 120 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM |
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