William Boyce, Academy of Ancient Music, Christopher Hogwood's 'Symphony No.6 in F major: 2. Larghetto' came out on January 1, 1993. The duration of Symphony No.6 in F major: 2. Larghetto is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Symphony No.6 in F major: 2. Larghetto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 23 in Boyce: 8 Symphonies, Op.2 by William Boyce, Academy of Ancient Music, Christopher Hogwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Symphony No.6 in F major: 2. Larghetto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.6 in F major: 2. Larghetto by William Boyce, Academy of Ancient Music, Christopher Hogwood is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 3. Menuet I - Menuet II | Jean-Philippe Rameau, Jean Rondeau | F Major | 3 | 7B | 117 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VI. Menuet | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 4 | 10A | 119 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 112 BPM | ||
Minuet in G Major, BWV Anh. 116 | Carl Philipp Emanuel Bach, Luc Beauséjour | F♯ Major | 1 | 2B | 81 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM |
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