Antonio Vivaldi, Anthony Marwood's 'The Four Seasons: 'Spring' (Concerto in E op.8 no.1): Largo' came out on 1998. The duration of The Four Seasons: 'Spring' (Concerto in E op.8 no.1): Largo is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. The Four Seasons: 'Spring' (Concerto in E op.8 no.1): Largo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: The Four Seasons by Antonio Vivaldi, Christian Li, Melbourne Symphony Orchestra, Antonio Vivaldi, Nicholas McGegan. The song's track number on the album is #2 out of 21 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, The Four Seasons: 'Spring' (Concerto in E op.8 no.1): Largo's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since The Four Seasons: 'Spring' (Concerto in E op.8 no.1): Largo by Antonio Vivaldi, Anthony Marwood has a tempo of 157 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With The Four Seasons: 'Spring' (Concerto in E op.8 no.1): Largo being at 157 BPM, the half-time would be 78 BPM with a double-time of 314 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
Romance in F Major for Violin and Orchestra, Op. 50 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | F Major | 0 | 7B | 87 BPM | ||
Concerto For 3 Violins, Strings And Continuo In F, RV 551: 1. Allegro | Antonio Vivaldi, Salvatore Accardo, Ida Levin, Margaret Batjer, I Solisti Di Napoli | C Major | 2 | 8B | 96 BPM | ||
An die Musik, D.547 (Arr. Cello & Piano) | Franz Schubert, Lynn Harrell, Bruno Canino | D♭ Major | 1 | 3B | 109 BPM | ||
Cello Concerto in E Minor, Op. 85: 3. Adagio | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | G Major | 0 | 9B | 94 BPM | ||
Variations on a theme by Corelli | Samuel Sanders, Itzhak Perlman | F Major | 3 | 7B | 92 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Albinoni : Symphony in C major : Adagio | Tomaso Albinoni, Claudio Scimone, I Solisti Veneti | C Minor | 1 | 5A | 88 BPM | ||
Concerto grosso in D, Op.6, No.1: 2. Largo | Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 71 BPM |
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