"Concierto para guitarra y orquesta: 2. Fantasia alla Madrigalesca.In tempo molto moderato" by Ernesto Halffter, Narciso Yepes, Orquesta Sinfonica de la Radio Television Espanola, Odon Alonso was released on February 5, 2016. Concierto para guitarra y orquesta: 2. Fantasia alla Madrigalesca.In tempo molto moderato appears to be safe for all ages as it is not explicit. There are a total of 53 in the song's album "The Complete Concerto Recordings". In this album, this song's track order is #22. Concierto para guitarra y orquesta: 2. Fantasia alla Madrigalesca.In tempo molto moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concierto para guitarra y orquesta: 2. Fantasia alla Madrigalesca.In tempo molto moderato by Ernesto Halffter, Narciso Yepes, Orquesta Sinfonica de la Radio Television Espanola, Odon Alonso having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Après un rêve, Op. 7, No. 1: 3 Songs, Op. 7: No. 1, Après un rêve (Arr. For cello and guitar) | Gabriel Fauré, Claremont Duo | F Minor | 1 | 4A | 77 BPM | ||
2 Apunts (2 Sketches): No. 1. — | Roberto Gerhard, Jordi Masó | A Minor | 0 | 8A | 113 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
4 Impromptus, Op.90, D.899: No.2 in E flat: Allegro | Franz Schubert, Krystian Zimerman | E Minor | 1 | 9A | 67 BPM | ||
Silent Dreams | Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek | C Major | 0 | 8B | 70 BPM | ||
Aubade, FP 51a: IV. Entrée de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | A Major | 2 | 11B | 74 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 4: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | D Major | 0 | 10B | 86 BPM | ||
Sonate, Op. 64: I. Andantino con moto | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 96 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Cello & Piano) | Johannes Brahms, Duo Arnicans | G Major | 0 | 9B | 75 BPM |
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