"Sonate, Op. 64: I. Andantino con moto" by Mel Bonis, Juliette Hurel, Hélène Couvert was released on January 17, 2020. With this song being about 5 minutes long, at 5:04, "Sonate, Op. 64: I. Andantino con moto" by Mel Bonis, Juliette Hurel, Hélène Couvert is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 17 in Compositrices à l'aube du XXe siècle by Juliette Hurel, Hélène Couvert. In terms of popularity, Sonate, Op. 64: I. Andantino con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonate, Op. 64: I. Andantino con moto by Mel Bonis, Juliette Hurel, Hélène Couvert is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
Mazurek | Władysław Szpilman, Yulianna Avdeeva | B Minor | 1 | 10A | 83 BPM | ||
Suite en duo: II. Modere | Jean Cras, Juliette Hurel, Marie-Pierre Langlamet | A♭ Major | 0 | 4B | 68 BPM | ||
Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | A♭ Minor | 0 | 1A | 77 BPM | ||
Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
Bagatelles I-XIII: Bagatelle II | Valentin Silvestrov, Hélène Grimaud | B♭ Major | 0 | 6B | 67 BPM | ||
Fantaisie pour flûte et piano, Op. 79 | Gabriel Fauré, Juliette Hurel, Hélène Couvert | C Minor | 0 | 5A | 75 BPM | ||
Prélude en Mi Bémol Majeur, Op. 10 | Mel Bonis, Laurent Martin | E♭ Major | 1 | 5B | 70 BPM | ||
Nocturne No. 1 in E flat, Op. 33, No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Lars Vogt | E♭ Major | 0 | 5B | 72 BPM |
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