Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski's 'La Grande Duchess de Gerolstein, Acte I: No 5: Chronique de la gazette Hollande 'Pour épouser une Princesse' (Paul/Duchesse)' came out on September 2, 2005. The duration of La Grande Duchess de Gerolstein, Acte I: No 5: Chronique de la gazette Hollande 'Pour épouser une Princesse' (Paul/Duchesse) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. La Grande Duchess de Gerolstein, Acte I: No 5: Chronique de la gazette Hollande 'Pour épouser une Princesse' (Paul/Duchesse)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Offenbach: La Grande Duchesse de Gerolstein". In this album, this song's track order is #19. In terms of popularity, La Grande Duchess de Gerolstein, Acte I: No 5: Chronique de la gazette Hollande 'Pour épouser une Princesse' (Paul/Duchesse) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Grande Duchess de Gerolstein, Acte I: No 5: Chronique de la gazette Hollande 'Pour épouser une Princesse' (Paul/Duchesse) by Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 1 | 4B | 91 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Coscoletto, ou Le lazzarone: Act I Scene 8: Duet: Alles still und leer, wir sind allein (Mariana, Coscoletto) | Jacques Offenbach, Angèle Durand, Mojca Erdmann, Yoo-Chang Nah, Mechthild Georg, Thomas Dewald, Anke Hoffmann, Henner Leyhe, Collegium Cantandi Bonn, Cologne Radio Symphony Orchestra, Helmut Froschauer | A♭ Major | 5 | 4B | 63 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM |
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