Franz Schubert, Norbert Orth, Thomas Moser, Eberhard Büchner, Hermann Prey, Vienna Radio Symphony Orchestra, Theodor Guschlbauer's 'Die Freunde von Salamanka, D. 326, Act I: No. 3, Quartet. Morgen, wenn des Hahnes Ruf erschallt' came out on 1981. The duration of Die Freunde von Salamanka, D. 326, Act I: No. 3, Quartet. Morgen, wenn des Hahnes Ruf erschallt is about 3 minutes long, at 3:11. Based on our data, "Die Freunde von Salamanka, D. 326, Act I: No. 3, Quartet. Morgen, wenn des Hahnes Ruf erschallt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Schubert: Die Freunde von Salamanka, D. 326; Der Spiegelritter, D. 11". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, Die Freunde von Salamanka, D. 326, Act I: No. 3, Quartet. Morgen, wenn des Hahnes Ruf erschallt's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Freunde von Salamanka, D. 326, Act I: No. 3, Quartet. Morgen, wenn des Hahnes Ruf erschallt by Franz Schubert, Norbert Orth, Thomas Moser, Eberhard Büchner, Hermann Prey, Vienna Radio Symphony Orchestra, Theodor Guschlbauer having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Ravel: Jeux d'eaux, M. 30 | Maurice Ravel, Monique Haas | A♭ Major | 2 | 4B | 78 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM |
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