"Říkadla, JW 5/16: No. 7, Vašek, pašek" by Leoš Janáček, Magdalena Kozená, Sir Simon Rattle, Andrew Marriner was released on September 13, 2019. With Říkadla, JW 5/16: No. 7, Vašek, pašek being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "Soirée". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Netherlands. Říkadla, JW 5/16: No. 7, Vašek, pašek is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Říkadla, JW 5/16: No. 7, Vašek, pašek by Leoš Janáček, Magdalena Kozená, Sir Simon Rattle, Andrew Marriner having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Jenufa / Act 2: Tetko Koselnicko | Leoš Janáček, Peter Dvorsky, Elisabeth Söderström, Eva Randová, Wiesław Ochman, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Minor | 2 | 1A | 135 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 5, They Chattered Like Swallows | Leoš Janáček, Lars Vogt | A♭ Minor | 1 | 1A | 74 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Serenade for Strings in E Major, B.52: II. Tempo di Valse | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 181 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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