Fernando Sor, Xuefei Yang's ' "Introduction and Variations on a Theme by Mozart, Op. 9: Sor: Introduction and Variations on a Theme by Mozart, Op. 9 - Variazione 1" was released on its scheduled release date, November 24, 2022. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Xuefei Yang's "Guitar Favourites" album is number 7 out of 22. On top of that, China appears to be the country where this track was created. Based on our statistics, Introduction and Variations on a Theme by Mozart, Op. 9: Sor: Introduction and Variations on a Theme by Mozart, Op. 9 - Variazione 1's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Introduction and Variations on a Theme by Mozart, Op. 9: Sor: Introduction and Variations on a Theme by Mozart, Op. 9 - Variazione 1 by Fernando Sor, Xuefei Yang to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Bagatelles for Guitar: II. Lento | William Walton, Simone Vidali | G Minor | 0 | 6A | 91 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 19 in C Major | Fernando Sor, Timo Korhonen | C Major | 1 | 8B | 81 BPM | ||
Estudio No. 19 In B Flat Major | Fernando Sor, Christopher Parkening | B♭ Major | 1 | 6B | 140 BPM | ||
Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene | Mario Castelnuovo-Tedesco, Andrea de Vitis | A Minor | 0 | 8A | 178 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
24 Progressive Lessons, Op. 31: No. 12, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Guitar Sonata No. 3: I. Allegro moderato | Manuel Ponce, Pablo Garibay | E Minor | 0 | 9A | 125 BPM | ||
Dance from La Vida Breve | John Williams | D Minor | 2 | 7A | 107 BPM | ||
10 Etudes: I. Etude No. 1: Moderato | Giulio Regondi, John Holmquist | C Major | 2 | 8B | 86 BPM | ||
5 Bagatelles: V. Con slancio | William Walton, Ana Vidovic | B Minor | 2 | 10A | 129 BPM |