Snorri Sigfús Birgisson, Víkingur Ólafsson's 'Where Life and Death May Dwell (Icelandic Folk Song) - Grand Piano' came out on September 2, 2022. With Where Life and Death May Dwell (Icelandic Folk Song) - Grand Piano being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 2 in Birgisson: Where Life and Death May Dwell (Icelandic Folk Song) by Snorri Sigfús Birgisson, Víkingur Ólafsson. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Where Life and Death May Dwell (Icelandic Folk Song) - Grand Piano is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Where Life and Death May Dwell (Icelandic Folk Song) - Grand Piano by Snorri Sigfús Birgisson, Víkingur Ólafsson is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon (Counter-Retrograde, based on Bach’s The Art of Fugue) | Daniil Trifonov | F Major | 0 | 7B | 66 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
Cinquième concert: II. La Cupis | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 136 BPM | ||
For Mark | Joep Beving | A Major | 0 | 11B | 139 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Hymne | Anja Lechner, François Couturier | D Minor | 0 | 7A | 75 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
A Little Book of Hours: VI. Singing Sun | Peter Sculthorpe, Elena Riu | B♭ Major | 0 | 6B | 79 BPM | ||
Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM |
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