- BPM
- 82
- Key
- B Major
- Camelot
- 1B
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 66 "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen" - Johann Sebastian Bach, Anthony Rolfe Johnson, Olaf Bär, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir Information
- Acousticness
- 96%
- Danceability
- 28%
- Energy
- 17%
- Instrumentalness
- 51%
- Liveness
- 45%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 7%
- Loudness
- -16.303 dB
Summary
"Matthäus-Passion, BWV 244 / Zweiter Teil: No. 66 "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen"" by Johann Sebastian Bach, Anthony Rolfe Johnson, Olaf Bär, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir was released on January 1, 1989. The duration of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 66 "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen" is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 66 "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 66 "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 66 "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen" BPM
The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 66 "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen" by Johann Sebastian Bach, Anthony Rolfe Johnson, Olaf Bär, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 66 "Und Joseph nahm den Leib" - "Herr, wir haben gedacht" - "Pilatus sprach zu ihnen" Key
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | St. Matthew Passion, BWV 244: No. 16. Chorale: Ich bin's, ich sollte bussen | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E Minor | 2 | 9A | 84 BPM | |
 | The Fairy Queen, Z. 629 / Act 2: Prelude...Come, All Ye Songsters Of The Sky | Henry Purcell, Wynford Evans, English Baroque Soloists, John Eliot Gardiner | B Major | 1 | 1B | 104 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.4 in C sharp minor BWV873 | Daniel Barenboim | D♭ Minor | 0 | 12A | 121 BPM | |
 | Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM | |
 | Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture | Johann Sebastian Bach, Ludwig Güttler, Matthias Schmutzler, Roland Rudolph, Thomas Käppler, Andreas Lorenz, Manfred Krause, Günter Klier, Virtuosi Saxoniae | A Major | 1 | 11B | 77 BPM | |
| Prelude In C Minor, BWV 999 : Prelude In C Minor, BWV 999 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 120 BPM | |
 | Matthäus-Passion, BWV 244, Pt. 2: No. 54, Chorale. "O Haupt voll Blut und Wunden" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | F Major | 2 | 7B | 96 BPM | |
 | Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: XII. Cum Sancto Spiritu | Antonio Vivaldi, David Reichenberg, Crispian Steele-Perkins, The English Concert, Trevor Pinnock, The English Concert Choir | D Minor | 0 | 7A | 85 BPM | |
 | Der Himmel lacht, die Erde jubilieret, BWV 31: Aria: Adam muss in uns verwesen (Tenor) | Johann Sebastian Bach, Monika Frimmer, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | D Major | 1 | 10B | 108 BPM |
- ISRC
- DEF058831168
- Label
- L-M Records/RCA Records
Section: 0.6177489757537842
End: 0.6228146553039551